‘Deux Soeurs Qui Ne Sont Pas Soeurs’ (Two Sisters Who Are Not Sisters) is based on Gertrude Stein’s eponymously named screenplay. Gibson’s adaptation is set almost a century later in contemporary Paris. How does she update the work for a contemporary audience? As ‘Beatrice Gibson: Crone Music’ open now @camdenartscentre
‘I Hope I’m Loud When I’m Dead’ is a deeply personal work weaving together CAConrad and Eileen Myles’ words with the power of ritual, feminism and poetry. As part of ‘Beatrice Gibson: Crone Music’ open until 31 March.
large iron castanet-like musical instrument primarily used as the rhythmic aspect of Gnawa music.
From little things big things grow