Guitarist Appreciation Post pt. X
Jesse Pintado-"As long as it’s fast and extreme I don’t give a shit."
Mitch Harris-"I had the pleasure of being able to weave in and out of all of these different, hardened character types, and there were very few things back then that these cliques had in common besides that generic, pre-pubescent feeling of ‘rebellion.'"
Peter Tägtgren-"I don't even touch the tuner. I mean, the key thing is to make sure the neck is always in the right position, because when you go from cold to warm, you really can just flip out the whole neck."
Michael Amott-"That’s what I really get out of it, the give and take, the communication that you have with other musicians and the music you create together takes it to the next level."
Matt Olivo-"I’ve always found outlets for my troubling thoughts, which I believe is very healthy. We all know people who go through life appearing to be “normal.'"
Scott Hull-"There are examples of all these different forms of metal and extreme music that I think are good and that work, and there are some from the very same kinds of music I don’t like very much. I don’t like to rag on bands, because no matter what kind of band you are, you’re trying."
Danny Coralles-"It wasn't unusual for us, 'cause with Autopsy we really didn't get the respect, you know, in the beginning. We played for 30 people and a twelve pack of beer. Rough tours, good and bad. It's kind of the same old story you know."
Mark Sawickis-"We took all the elements we liked from grindcore, death metal, thrash metal and punk/hardcore and mixed them together to get our sound. We were influenced by all those types of music."
John McEntee-"It was a raw energy. It was a feeling that just really captured me, and it captured a lot of people. It’s almost like a cocky kid just wanting to tell everybody to fuck off kind of thing."
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